I like to work with old wood. Salvaged oak beams are the ideal material. I respect the particular character of each piece of wood, and aim to retain some of its history in the final work.


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Stone is the hardest and most intractable material for the sculptor. Its fine grain permits detailed work and enables a contrast between rough and smooth finishes.



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Modelling with clay is the most free of all the mediums. You can build up the forms but also cut back into them by carving. Clay is a fragile material and the finished sculptures need to be cast in bronze and resin.


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I accept commissions for portrait heads. The modelling of a portrait takes about three days and the work is subsequently cast in bronze or resin.



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